What is the predominant sentiment (Bhava) of the play Mrichchhakatika? How does Charudatta address Vasantasena in the darkness and what does he direct her to do? In Mrichchhakatika, the Vidushaka behaves very sensibly, cautioning his friend against his reckless philanthropy and his relationship with a courtesan, without of course offending him. Prakrit was the language of the masses and the women thus this represents a sort of condescending attitude of the so-called elite Sanskrit-literate Brahmanas towards women. 5. 6. The Vidushaka is the “Court Jester” in Sanskrit drama. 4. Śūdraka’s Mrichchhakatika, one of the oldest Sanskrit plays, is considered by the pundits as a masterpiece in the realm of Sanskrit drama. Vidushaka Sanskrit dramas Bharata Natya Shastra Mrichchhakatika The article by G.K. Bhat is a study on the origin and role of Vidushaka, the clown or jester, in Sanskrit dramas. The Vidushaka's role in the Purvaranga As a necessary member of dramatic troupe, the Vidushaka played a signi­ ficant role in the ancient Purvaranga and helped to introduce a dramatic perform­ ance to the spectators. How does Vasantasena arrange her chances for a revisit to Charudatta’s house? Sudraka has indeed vested each of his characters with a special trait that distinguishes each from the other characters of the play. What type of play is Mrichchhakatika? VIDUSHAKA VERSUS FOOL CHARACTER OF VIDUSHAKA IN SANSKRIT THEATRE WITH SPECIAL REFERENCE TO MRICHCHHAKATIKA AND SHAKUNTALA According to the Encyclopaedia Britannica: The vidushaka (clown) is a noble, good-hearted, blundering fool, the trusted friend of the hero. 2. Finally, the Sutradhara of the play- Vidushaka aka Maitreya- addresses the audience in Prakrit. This was done in trigata, which is the eighteenth among the nineteen items of the ancient Purvaranga. Mrichchhakatika-themes. How does Maitreya … 3. The play is set in the ancient city … Mṛcchakatika (Sanskrit: mr̥cchakaṭikā मृच्छकटिका), also spelled Mṛcchakaṭikā, Mrchchhakatika, Mricchakatika, or Mrichchhakatika (The Little Clay Cart) is a ten-act Sanskrit drama attributed to Śūdraka, an ancient playwright whose is possibly from the 5th century CE, and who is identified by the prologue as a Kshatriya king as well as a devotee of Siva who lived for 100 years. This ten-act play is the only extant drama that stands as an outstanding example to the spirit of ‘prakarana,’ ‘drama of invention,’ the technique that was indeed subordinated in the Sanskrit literature to the heroic drama, the plot of which is drawn often from … In the beginning of the play, Sutradhara says that he has switched on to Prakrit for the purpose of speaking to his wife. Sudraka … Mrichchhakatika Questions carrying 2 marks: 1.

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